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La beauté des interventions solistes est à pleurer – la hautboïste Viola Wilmsen se taille un succès mérité …

Le Monde, 3.10.2021

… at only 29, she revealed herself as one of the leading virtuosos of her generation, in full musical control throughout the three strenuous movements and in synch with the orchestra down to the most minute details …

Westfälische Zeitung, 16.4.2014

… Viola Wilmsen, principal oboist of the Deutsches Symphonie-Orchester Berlin, interpreted the piece (Strauss Oboe Concerto) with great earnestness, energy and touching tenderness. A magic moment …

Münchner Merkur, 18.7.2014

…The soloist Viola Wilmsen was admired by the audience, but also by the musicians of the orchestra: she turned the compositional wonderwork of the late Strauss into a miracle of interpretation…

Süddeutsche Zeitung, 14.7.2014

With brilliant ease, she mastered the free and figurative passages of the outside movements, demonstrating her outstanding abilities without ever loosening the tension. Apart from her admirable virtuosity, her playing was also compelling because of her breathcontrol and her flexible tone which lent itself to modulation easily …

Westfälisches Volksblatt, 16.4.2014

Captivatingly played … breathing technique, tone production and interpretation all of a piece, extremely delicate in each and every phrase …

Engadiner Post, 6.1.2014

Beguilingly light, subtle in her sound colors and altogether of an almost Mozart-like insouciance, Viola Wilmsen … demonstrated how the composer’s mature work can be understood …

Bündner Tagblatt, 30.12.2013

The piece [Strauss’ Oboe Concerto] became an amazing experience, due to oboist Viola Wilmsen. In her solo part, the arching melodies spanned great distances, and she rapidly darted up and down scales with agile lightness, while always maintaining a very round, mellifluous tone …

Göttinger Tageblatt, 7.12.2011

… convincing from the first entry, offering a highly modulated oboe tone ennobled by the venerable playing tradition of the French School. She performed the beautiful Adagio, basically one expansive cantilena, with heartfelt expressivity and without any breaks or hitches, as if she commanded endless reserves of air …

Aachener Zeitung, 19.12.2011